Before seeing this moving, my feelings
on the matter went through something of a roller-coaster:
- Initially, I thought a sequel to Sinister was a terrible idea. We knew Baghuul's pattern of killing, and he's a supernatural entity whose entire existence seems based around this pattern. He isn't going to just up and decide to take Manhattan. Either the sequel would repeat the exact same events, or it would attempt to shake things up by breaking the pattern that's already been established. Either of these options seem bad.
- Then, I saw the trailer, and I began to have hope. It appeared that the film would focus mainly on a child being seduced by Baghuul. This actually seemed like a reasonable direction to go in. The previous film was all from the adult perspective, so we could legitimately get more information by following the child instead.
- Finally, before seeing the movie, I checked the rating on Rotten Tomatoes, and was distraught to see it was 10%. I expected the worst.
Now, the problem
with Rotten Tomatoes is that it only grades how many critics rated a
film “good” versus “bad.” It makes no attempt to distinguish
between mild and extreme levels of “good” and “bad.” So, if
there's a strong consensus that a film is only slightly “good” or
slightly “bad” we can end up with a much stronger rating one way
or the other than with a divisive movie.
Reading over the
blurbs on RT now, I think that's the case with this film. Most
critics found it to be inadequate, but not truly awful. I fully
agree that it's a bad film, but it does have it's moments, mostly in
the middle and later parts of the film.
For
anyone who's forgotten: The original Sinister
was about a family under assault by the pagan deity Baghuul. The
father from the previous film moved into a house in which a grisly
murder of an entire family, minus the still-missing youngest child,
had taken place. The twist was that Baghuul had enchanted the
youngest child to kill his family, and then spirited the child away
to a demon dimension. We also found out that rather than haunting a
single house, Baghuul follows a chain. He haunts a family until they
flee a house, kills them in their new home, and then haunts the new
home until the next family arrives. Moving house-to-house makes
Baghuul significantly harder to track for those who don't know what
to look for.
Our connection to
the previous film is Deputy-turned-ex-Deputy So & So (yes, that's
how he's credited, and if the movie gave us another name I missed
it), a minor character from the previous film. After the events of
the first Sinister he somehow found out about Baghuul's
pattern, and decided to stop him by burning the houses before new
families can move in (there are apparently now multiple chains of
Baghuul-infested houses). However, he arrives at one house too late,
with a mother and her two sons taking refuge there from her abusive
husband. If they leave, Baghuul goes with them.
The film is split
between the sons, and So & So. Baghuul's children are trying to
seduce one of the sons, Dylan, as his brother Zach grows increasingly
jealous of their affection. The scenes with the children are easily
the strongest point of the film. The child actors aren't anything
special, but they do their jobs adequately. The twist is
predictable, but I don't want to directly spoil it. I think there
are darker implications at play that I love: Baghuul and his children
will say or do whatever it takes to corrupt an innocent. The details
are irrelevant, as long as that singular goal is achieved. Although
I do think Baghuul in this movie is the master of “I meant
to do that!”
So & So, on the
other hand, is a definite weak point. James Ransone can't compete
with Ethan Hawke's performance in the last film. While both are
somber and melancholy, Hawke backed it up with a level of passion
that kept you engaged. Notably, when So & So gets into a
physical confrontation with the abusive husband I found myself kind
of rooting for the husband, just because he was more charismatic. It
didn't help that, with all the talk of his physical abuse, his
on-screen crimes in this movie consist of throwing mashed potatoes at
a child, and beating up a man who was trespassing on his property
after sleeping with his wife.
I was a bit
concerned the movie would overuse Baghuul based on the trailers. The
move does, Baghuul definitely has more appearances, and is more
clearly visible than in most of his appearances in the first film.
However, it's not nearly as egregious as I feared it would be.
I could see this
movie being edited down to great effect. I'd love to see a fan-cut
of it at some point. It does add some interesting information about
Baghuul. For some reason he's now a widely-known boogie-man figure,
rather than the obscure mythological figure the first movie
established, but that's the only real contradiction I caught. This
movie is just barely below the “worth your time” bar. If anyone
ever edited a 45-minute fan-cut focusing on Zach and Dylan, I
preemptively highly recommend it.
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