(Note: I don’t feel like tackling
all of this series in one go, so I decided to count the first four as
a sub-series. I’ve already tackled Part 1, so here we go.)
The original Friday the 13th
has, at this point, been largely reduced to a trivia question. “Who
was the killer?” Friday the 13th
Part 2 has it even worse, having
been reduced to the entry in the series that just flat-out didn't
happen as far as pop culture is concerned. In our collective
unconscious Mrs. Vorhees (Betsy Palmer) was killed, and Jason
immediately rose from Crystal Lake in his hockey mask to seek
vengeance.
This movie feels a
bit like a stumbling block as the series goes. It isn't really bad,
but it's a bit weak and uneven. Jason (Warrington Gillette) was an
icon that had to be developed bit-by-bit. This film lacks any real
sense of awe in regards to Jason. As far as the filmmakers knew,
Jason coming out of the lake to attack the final survivor of his
mother's rampage at the end of the last film was merely intended to
be a one-off jump-scare, and his use was actually mandated by
executives who were turned off by the idea of an outright anthology
series.
The result is a
Jason who's something of a work-in-progress. While the premise that
Jason kills out of anger at the death of his mother continues, to one
degree or another, for the remainder of the series, this film seems
to much more heavily paint Jason mentally as an angry child lashing
out. He's still a killing machine, but many scenes make him out to
be downright vulnerable, and even show him in physical pain.
The movie starts by
tying up loose ends from it's predecessor. Jason, despite having the
mentality of a child, is somehow able to track down Alice (Adrienne
King), the girl who killed his mother, and kill her in her home. The
scene isn't scary by any means, but it does it's job. This is a
movie about dead young people, and it opens by killing off a young
person. Specifically, it kills off a young person dealing with a
deep trauma from the previous movie's rampage, freeing us to follow a
new set of young people with no PTSD to work through. We get a
death, the audience cheers, and the movie moves on.
I'm not quite sure
how a man with Jason's level of deformity was supposed to have walked
into the middle of a suburb without comment. We're not shown his
face in this scene, so perhaps he wore a mask...which would seem just
as strange. However, we do see him walking down the street
unmolested, and I supposed this is far less unbelievable than his
ability to track down Alice at all while completely cut-off from
human civilization, and any source of information that might have
aided him in the task. It's not like Jason had money to hire a
Private Detective.
We then cut to five
years later (I'm uncertain if this means the original film happened
four years before it's production in, 1976, or if this film takes
place four years after in 1985). The remainder of the film has the
same basic setting as the original: a summer camp, but the kids
haven't arrived yet, and the counselors are prepping. A man named
Paul Holt (John Furey) set up this new Camp on the same lake as two
previous massacres, just a few miles away from the original Camp.
Alice's story of
being attacked by Jason in the lake has now become something of an
urban legend, and Paul uses it as a ghost story around the camp fire.
The urban legend status is convenient for avoiding all the logical
problems that come from Jason's presence. Is he undead (a status he
doesn't officially take on for four more movies)? If so, what
revived him? Did he not actually drown? Then why didn't he return
to his mother? And how did a small child grow up surviving in the
wilderness all this time anyway?
This
leads us into the section of the movie in which the characters must
do two things to properly merit their deaths: be idiots and have sex.
So, a boy named Jeff (Bill Randolph), in an effort to get laid,
agrees to stupidly go to the site of Mrs. Vorhees massacre, with a
scantily-dressed girl named Sandra (Marta Kober). Before Jason can
kill them, however, a local police officer (Jack Marks) finds them
and takes them back to Paul. The officer returns to the woods and is
dispatched by Jason with a hammer a few scenes later.
Back at Camp, Paul
decides to allow the counselors, minus the two runaways, to have a
“last night on the town,” isolating the few who remain at the
camp. At this point you have the basic idea. The formula of the
slasher film was quick to form, apparently even quicker than Jason as
a horror icon. So, we have had a series of false scares,
interspersed with various sins, and eventually we get to some actual
kills. For a period the film continues to follow the formula of both
the first film and the opening scene, not showing us Jason.
The reveal might be
called sudden, but for someone used to this series, the sight of a
large man attacking people isn't really surprising. Paul and Ginny
(Amy Steel) return to camp early, and find that everyone left behind
is dead. They're attacked by Jason, a burlap sack covering his face,
using a spear instead of his later machete.
And so, we have our
main characters by process of elimination. The remainder of this
film really differs from the series, to the point that anyone being
shown the scenes out of context would likely assume it was a rip-off
instead of an official entry in the series. Aside from the Burlap
sack, Paul and Ginny are able to momentarily overpower Jason on a
number of occasions.
The film ends
exactly as expected: Jason seems to be dead, his sack is removed, and
then a few scenes later he attacks again. Another notable difference
from later movies is that Jason seems to have far more hair. It
seems that half his head is bald, while the other half appears to
have long hair, and even a beard. A bearded Jason is just weird to
me.
The film ends
more-or-less as the previous film did, with our female protagonist
confused and in medical care. Ginny is knocked unconscious during
Jason's final attack, and wakes up being loaded into an ambulance,
with neither Jason nor Paul visible. Now, however, any ambiguity
about Jason's existence has been removed.
This movie is far
too often discarded as an entry. I think it's likely we would have
continued to see Jason with a wide variety of looks and masks if the
following film, which introduced the hockey mask, hadn't been such a
break-out success with it's use of 3D. Don't get me wrong, this is a
long way from my favorite entry, and Jason isn't nearly as
interesting when he's this vulnerable, but this is a film that played
with the formula, and eventually led us to the Jason we know and
love.
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