Friday the 13th Part III

(No, I don’t understand the sudden change to Roman Numerals either.)

I wonder why no one ever parodies the cliché of old people dying first. It doesn’t happen in every horror movie, but right off the top of my head” this film, Halloween 2, Halloween 5, and You’re Next all feature one or more old people who appear for a scene or two at the beginning, and then get axed so the killer can stalk the sexy young cast. I kind of wish someone would do a subversion, where the older couple survives and fights the killer after the sexy young people have been sliced up.

The legacy of Jason Vorhees is really the legacy of this film. I remember being in High School when this movie came up in conversation during a math class, and the teacher excitedly recounted his viewing of this film in his youth. It wasn’t considered scandalous or racy that he was talking about this movie. It was as much as part of American culture as Easy Rider.

The first reaction is to say that it’s legacy comes from the hockey mask. This is the movie where Jason finally puts it on, and assumes his iconic look. However, I’m not convinced that the mask is a cause and not an effect. Sure, I doubt any film could have made Jason’s baghead look from Part 2 timeless. However, I also feel that the hockey mask would have been forgotten as well if it was in a more forgettable movie.

Above all, my theory is that this is the film in which the lunatics were officially running the asylum. It was only two years after the first film, so there certainly wasn’t time for a generation to grow up on Jason Vorhees. However, this was a film made for young people, by young people (director Steve Miner was 31 at the time of this film’s release). I feel like the talent behind the movie recognized the zeitgeist of the era they were entering, and they weren’t prepared to short change it.

Does that mean this is a “good” move? Hell no. Rather, it’s a movie that’s good at being what it is. The actors are charismatic, sexy, and seem to be speaking up to make sure the audience can hear them spout exposition. The scares are built up for a time, we get a few false scares, and then the blood comes. The music is both relaxing and haunting in a weird mix. While the movie makes no effort to be realistic, it also never attempts to wink at itself.

The characters, for the most part, fulfill their roles. You have the nice guys, the jerks, a desperate virgin (Larry Zerner), and we get an angry gang of bikers thrown in to give Jason a few more assholes to kill.

It also doesn’t hurt that the setting is very slightly altered. Jason leaves the lake, and journeys to a farm nearby where a group of teenagers are spending some time smoking pot and doing very brief periods of work. While I saw the film in 2D, many of the scenes likely intended to highlight the 3D actually ended up being more memorable precisely because of how weird they seemed for a group of random young people on a farm. We have a guy who walks to the kitchen on his hands, a scene of juggling, and a scene in which a hippie tries to catch popping popcorn in his mouth, just to name a few. Are we suddenly in the circus? Realistic or not, though, you remember it.

Jason in this film seems to overcome his relative weakness from the previous film. This movie treats him with nothing but awe. While Jason’s face is kept mostly obscured for much of the movie, even after the reveal of his mask, Richard Brooker’s body language exudes confidence. He isn’t invincible. One scene has him jump out of the way of a van, and a few moments after that his arms are trapped in the van window, but even then he seems more inconvenienced than afraid or angry. Most of his kills are straight-forward, bloody, and effective for the audience. You could argue that this persona is too fast, smart, and confident to be the tragic Jason who lost his mother, but I’d say this is definitely a persona people remember.

I’m not entirely sure what Jason is at this point in the series. I’m somewhat glad that Part VI made him explicitly undead, although that leads to great confusion about what he was before if he didn’t die from drowning, hanging, or taking an ax to the face. He certainly doesn’t seem like a traditional human.

This is the first time we get a final girl (Dana Kimmell) who was attacked by Jason prior to the film. Chris had moved away from the area after the attack, and she returns with her boyfriend and other friends in something of a show of bravado to prove to herself that she’s no longer afraid. It’s a motivation that makes her likable and understandable. She also gets points for fighting Jason in an almost exclusively physical manner. She never needs to invoke his mother to throw him off like our previous Final Girl did. Chris is just badass.

The film ends with an inversion of the original: when Chris attempts to escape Jason on the Lake, she’s attacked by the zombified Pamela Vorhees pulling her into the lake. I honestly take this to be a hallucination, since Pamela Vorhees being a zombie isn’t a continuing part of the franchise, although I have no idea what the filmmakers intended when the movie was released. We’re shown Jason apparently still dead at the end, why the cops just left his body there after escorting Chris away I don’t know.

If you’re going to watch only a single Friday the 13^th film, I would say it should be either this one or Freddy vs Jason. The lore really starts here. It’s a fun, stupid, bloody movie. It may not be “good,” but it’s good at being bad.

Friday the 13th Part 2

(Note: I don’t feel like tackling all of this series in one go, so I decided to count the first four as a sub-series. I’ve already tackled Part 1, so here we go.)

The original Friday the 13^th has, at this point, been largely reduced to a trivia question. “Who was the killer?” Friday the 13^th Part 2 has it even worse, having been reduced to the entry in the series that just flat-out didn't happen as far as pop culture is concerned. In our collective unconscious Mrs. Vorhees (Betsy Palmer) was killed, and Jason immediately rose from Crystal Lake in his hockey mask to seek vengeance.

This movie feels a bit like a stumbling block as the series goes. It isn't really bad, but it's a bit weak and uneven. Jason (Warrington Gillette) was an icon that had to be developed bit-by-bit. This film lacks any real sense of awe in regards to Jason. As far as the filmmakers knew, Jason coming out of the lake to attack the final survivor of his mother's rampage at the end of the last film was merely intended to be a one-off jump-scare, and his use was actually mandated by executives who were turned off by the idea of an outright anthology series.

The result is a Jason who's something of a work-in-progress. While the premise that Jason kills out of anger at the death of his mother continues, to one degree or another, for the remainder of the series, this film seems to much more heavily paint Jason mentally as an angry child lashing out. He's still a killing machine, but many scenes make him out to be downright vulnerable, and even show him in physical pain.

The movie starts by tying up loose ends from it's predecessor. Jason, despite having the mentality of a child, is somehow able to track down Alice (Adrienne King), the girl who killed his mother, and kill her in her home. The scene isn't scary by any means, but it does it's job. This is a movie about dead young people, and it opens by killing off a young person. Specifically, it kills off a young person dealing with a deep trauma from the previous movie's rampage, freeing us to follow a new set of young people with no PTSD to work through. We get a death, the audience cheers, and the movie moves on.

I'm not quite sure how a man with Jason's level of deformity was supposed to have walked into the middle of a suburb without comment. We're not shown his face in this scene, so perhaps he wore a mask...which would seem just as strange. However, we do see him walking down the street unmolested, and I supposed this is far less unbelievable than his ability to track down Alice at all while completely cut-off from human civilization, and any source of information that might have aided him in the task. It's not like Jason had money to hire a Private Detective.

We then cut to five years later (I'm uncertain if this means the original film happened four years before it's production in, 1976, or if this film takes place four years after in 1985). The remainder of the film has the same basic setting as the original: a summer camp, but the kids haven't arrived yet, and the counselors are prepping. A man named Paul Holt (John Furey) set up this new Camp on the same lake as two previous massacres, just a few miles away from the original Camp.

Alice's story of being attacked by Jason in the lake has now become something of an urban legend, and Paul uses it as a ghost story around the camp fire. The urban legend status is convenient for avoiding all the logical problems that come from Jason's presence. Is he undead (a status he doesn't officially take on for four more movies)? If so, what revived him? Did he not actually drown? Then why didn't he return to his mother? And how did a small child grow up surviving in the wilderness all this time anyway?

This leads us into the section of the movie in which the characters must do two things to properly merit their deaths: be idiots and have sex. So, a boy named Jeff (Bill Randolph), in an effort to get laid, agrees to stupidly go to the site of Mrs. Vorhees massacre, with a scantily-dressed girl named Sandra (Marta Kober). Before Jason can kill them, however, a local police officer (Jack Marks) finds them and takes them back to Paul. The officer returns to the woods and is dispatched by Jason with a hammer a few scenes later.

Back at Camp, Paul decides to allow the counselors, minus the two runaways, to have a “last night on the town,” isolating the few who remain at the camp. At this point you have the basic idea. The formula of the slasher film was quick to form, apparently even quicker than Jason as a horror icon. So, we have had a series of false scares, interspersed with various sins, and eventually we get to some actual kills. For a period the film continues to follow the formula of both the first film and the opening scene, not showing us Jason.

The reveal might be called sudden, but for someone used to this series, the sight of a large man attacking people isn't really surprising. Paul and Ginny (Amy Steel) return to camp early, and find that everyone left behind is dead. They're attacked by Jason, a burlap sack covering his face, using a spear instead of his later machete.

And so, we have our main characters by process of elimination. The remainder of this film really differs from the series, to the point that anyone being shown the scenes out of context would likely assume it was a rip-off instead of an official entry in the series. Aside from the Burlap sack, Paul and Ginny are able to momentarily overpower Jason on a number of occasions.

The film ends exactly as expected: Jason seems to be dead, his sack is removed, and then a few scenes later he attacks again. Another notable difference from later movies is that Jason seems to have far more hair. It seems that half his head is bald, while the other half appears to have long hair, and even a beard. A bearded Jason is just weird to me.

The film ends more-or-less as the previous film did, with our female protagonist confused and in medical care. Ginny is knocked unconscious during Jason's final attack, and wakes up being loaded into an ambulance, with neither Jason nor Paul visible. Now, however, any ambiguity about Jason's existence has been removed.

This movie is far too often discarded as an entry. I think it's likely we would have continued to see Jason with a wide variety of looks and masks if the following film, which introduced the hockey mask, hadn't been such a break-out success with it's use of 3D. Don't get me wrong, this is a long way from my favorite entry, and Jason isn't nearly as interesting when he's this vulnerable, but this is a film that played with the formula, and eventually led us to the Jason we know and love.

100 Scariest Movies Moments: #31 Friday the 13th

Reviewing the original Friday the 13^th is not an easy task. Unlike most series in which the original cemented the brand, Friday the 13^th became an icon of pop-culture largely because of Part 3. This leaves Part 1 mostly as a gotcha trivia question (“Who was the killer in Friday the 13^th?” “…Jason?” “No, Mrs. Vorhees!”), and Part 2 as almost completely forgotten. It was in Part 3 that Jason first wore the hockey mask. It was also in Part 3 that it became clear the lunatics were running the asylum, as the series became more and more self-referential and just downright silly as it continued. This is not something I object to by any means, but it’s wildly different from the original.

The original came in the still somewhat early days of the slasher film. So strangely, the movie does not feel the need to correlate the character’s fears with our own. For most of the film, none of the characters know that anything is wrong as the killer makes at least some token efforts to conceal the bodies until only one victim is left. We on the other hand, periodically see a murder happen, reminding us that something is very wrong.

People have tried to claim that the movie has an anti-sex message. I disagree with this assessment, which seems built on an inability to distinguish between Mrs. Vorhees (Betsy Palmer), who slaughters teenagers for having sex because her son drowned when he was not being watched by camp counselors, and director Sean Cunningham, who set out to make a movie about a crazy woman who killed teenagers having sex.

The set-up of the movie is that Camp Crystal Lake is being reopened after two decades. It was originally closed after a series of events that included a drowning, two murders, as well as more minor issues like fires and bad water. Before the camp officially opens, a group of councilors have gathered, getting everything ready for the kids. The camp’s cook (Robbi Morgan) is picked up by a mysterious traveler whose face is never seen on her way to the camp, only to be attacked and killed by the driver.

Peeping Tom was the first film to use the killer’s perspective, but Friday the 13^th popularized it. Here, it’s used much more cheaply, primarily as a way of showing you the violence while concealing the identity of the killer. The reason for concealing her identity baffles me, because there’s no mystery. We’re introduced to Mrs. Vorhees moments before she’s revealed as the killer

The best-remembered death of this film is easily Jack’s (Kevin Bacon). That may be at least partially because of Bacon’s later success. But I suspect part of it is because as the era of slasher films has continued on-and-off for decades, it’s the only death that’s really creative. The killer is under the bed Jack’s laying on and grabs him and holds him to the mattress. She then forces and arrow up through the mattress and through his neck.

I don’t want to give the impression that I dislike this movie. It’s a classic, exploitative slasher film, following in the footsteps of Halloween. Of the dozens of movies that fit that exact description, this is one of the few that really feels like there was some talent behind it, and most of the characters are reasonably likable. It’s a shame that Cunningham did a lot more work as a producer than a director after this, I would love to see an episode of Masters of Horror directed by him.

If you ever have the time, I’d say watch this movie in a marathon with the following three, as they form a fairly complete story. Mrs. Vorhees attacks and is killed, then her not-quite-dead son returns from the lake and begins a series of escalating killings that end with his apparent death in Part 4. Even without the others though, it’s a fun ride.