Re-watching Crimson Peak on
DVD gives me much more mixed feelings than my theatrical viewing. I
think the change of format was part of the problem. I don't think
I'm able to get the full experience of del Toro's visual style on
such a small screen. The ghosts, in particular, no longer look quite
as stunning.
This is a major
blow for a film this utterly immersed in visual symbolism. An
ancient house whose heirs are degenerates is sinking into a clay pit,
while also falling apart. As the house sinks, red clay seeps out of
the walls, giving the appearance that the house is bleeding. Yellow
butterflies are fragile innocence, while black mouths are hardy
bitterness. The final confrontation even takes place on top of a
field of snow dyed crimson red by the clay. The impression of all of
this is deluded in a home viewing format.
That said, the film
still holds up. Mia Wasikowska gives a decent performance as Edith,
the wealthy heiress who finds herself seduced by Sir Thomas Sharpe
(Tom Hiddleston). After the “accidental” death of her father
(Jim Beaver), Edith marries Thomas and leaves for England with him
and his sister Lucille (Jessica Chastain).
The movie makes
very little effort to hide the fact that Sir Thomas and his sister
want Edith for her money. Their estate is falling apart, and Thomas
is desperately working on a clay-mining machine that he hopes might
restore the family fortune. Edith, who has the power to see ghosts,
is surprised to find a number of them haunting the manor, leading her
to realize that Sir Thomas had married three previous women for their
money, all of which were killed by Lucille.
The movie likewise
makes the “twist” that Thomas and Lucille are incestuous lovers
fairly obvious as well. We're eventually told by Dr. McMichael
(Charlie Hunnam), Edith's other love-interest and would-be rescuer
late in the film, that the two were also suspected of murdering their
mother. However, the real horror hits when we're told that this
happened when she found out about their incest...when Thomas was 12,
and Lucille 14.
This effectively
rewrites everything, and makes Sir Thomas the most interesting
character in the entire movie. He was molested by his sister at an
age when he could not possibly consent, explaining why throughout the
film he concedes to almost everything she wants. Even as we see him
sincerely fall in love with Edith, it takes tremendous will on his
part to even object to her murder, and this eventually causes Lucille
to kill him in a moment of rage
Del
Toro's goal with this film was to invert traditional gender roles by
having a female character save herself, another female character as a
“slasher,” and Sir Thomas as an inverted Femme Fatale.
Unfortunately, I think Del Toro missed the memo that his subversions
come a few decades late. In fact, we're living in a time when
Edith's pure “final girl” status is not only a cliché, but a
cliché Hollywood started subverting
in mass years ago. As for
the female killer, see the original Friday the 13th
for more.
That's not to say
that these characters don't work here. They definitely do as
throwbacks, and it's likely that if this film had been made in the
time of the Hammer films it draws inspiration from it would have been
far more subversive. However, the only role-swap that really works
is Sir Thomas, and not because of his status as a seductive and
dangerous man, but because of his status as a male survivor of sexual
abuse by a female perpetrator.
The
final confrontation between Edith and Lucille is somewhat
anti-climactic. Lucille chases Edith, Edith leads her away from the
wounded Dr. McMichael. Then, out in the clay-stained snow, the ghost
of Thomas distracts Lucille so that Edith can finish her off with a
shovel. I think the lack of anything truly sensational is part of
the point. Much of the last act is simply a crazy woman running
around an old house with a bladed weapon. The theme of degeneracy
runs deep enough that I think Del Toro decided that to give Lucille a
remotely dignified or dramatic death simply
wouldn’t have fit.
The film ends with
Edith and Dr. McMichael fleeing into the snow to get away from the
house, while the ghost of Lucille plays the piano. She's now trapped
forever in her family home, as Thomas appears to have finally passed
on. I would love to know what happens to the house.
If I don't seem to
have mentioned Dr. McMichael much, it's because he borders on a Red
Herring. We're supposed to expect him to save Edith, but his only
real contribution is delaying her death when he shows up at their
door, and Lucille wants to avoid killing Edith in front of him. If I
give him points for subversion, it's that he's saved by an otherwise
traditional Final Girl. Usually such characters are forced to save
themselves when their men are axed, not forced to protect their
wounded men.
It's truly shameful
that more people didn't experience this film in the theatre. I do
still recommend it. It's a solid throwback to the days of hammer,
and a great chance to see Tom Hiddleston in a truly magnificent
performance.
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