Looking back at my original review of
Krampus, it's amazing how
little has actually changed in my opinion. I no longer dread the
movie starting, I'm now filled with excitement. However, most of my
major thoughts are still in my original review. I still think the
movie is, in an odd way, fully a Christmas film. I also still think
the visuals are stunning.
That said, I've now
watched the film with a friend who has far more extensively studied
folklore. The experience was interesting, because while she enjoyed
the movie, she found herself horrified by how much the source
material had been altered. She felt that this movie heavily
conflates the legend of Krampus with the Wild Hunt. This is an
interesting perspective, and I can certainly see her point, however I
feel that these are legends that fit together far better than one
would expect.
I still love the
family. They're all fundamentally good people, who are driven apart
by wildly different values. Aunt Dorothy (Conchata Ferrell) is a
brutally-honest alcoholic who drives the rest of the family crazy
with her lack of tact. Uncle Howard (David Koechner) and his
brother-in-law Tom (Adam Scott) have a passive-aggressive
relationship based on their wildly different values. Their wives,
Linda (Allison Tolman) and Sarah (Toni Collette) are the very picture
of sibling rivalry, constantly trying to be polite, while bitterness
from years past keeps bubbling to the surface.
Our main character,
Max (Emjay Anthony) finds himself the target of bullying from his
cousins Stevie and Jordan (Lolo Owen and Queenie Samuel). The whole
family relationship is captured in a microcosm there: Max, being an
only child, has no understanding of his cousins' teasing as anything
other than cruelty. The two of them seem to see Max as a surrogate
sibling who they can play their usual games with.
During all of this
hostility, Max's sister Beth (Stefania LaVie Owen) and his German
Grandmother Omi (Beth Engel) try to keep the peace. His remaining
cousin, Howie Jr. (Maverick Flack) is kind of just there...Also,
there's a baby (Sage Hunefeld).
It's this family
rivalry that eventually leads Max to tear up his letter to Santa, and
throw it out the window. With that, Krampus comes, and they begin to
get picked off. The action scenes are, for the most part, awesome,
and the visuals remain stunning in their use of practical effects.
Every character gets at least something interesting to do, and kudos
to them for finally making Krampus deal with the situation
personally, after his minions have been defeated.
The
big reveal of the movie is that Omi had been visited by Krampus
previously as a child. I'm curious if this means that Krampus has a
particular interest in Max's bloodline, or if it was just an amazing
coincidence. The flashback, told as either CGI or stop-motion (I'm
still not sure) is stunning, mixing Rankin/Bass with shadow imagery
that reminds me of the ‘Tale of the Three Brothers’ from Harry
Potter and the Deathly Hollows.
The plan,
apparently, was to leave Max behind as a reminder to keep the
Christmas spirit, as Krampus took all the others to the Underworld.
However, Max eventually begs Krampus to take him instead, and the
entire family appears to wake up in Max's home on Christmas Day, with
their spirit newly restored. The final shot of the movie makes it
ambiguous if Krampus is still watching them, or if they're now
trapped in a snow globe, but I lean towards the former
interpretation.
This
movie is a new classic. It should be watched every Christmas with
the same regularity as It's a Wonderful Life
and A Christmas Carol.
Krampus is a great character, intimidating and mysterious, but also
complex. I really hope he gets to meet Sam someday.
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