Going in, this movie has two things
working against it: Firstly, it's the sequel to a movie that wasn't
very good in the first place. Secondly, the first movie at minimum
told us more-or-less what we needed to know about the haunting.
There was a final shock to provide room for a sequel, but I feel this
movie horribly under-uses that opportunity. If the ghosts are no
longer bound to the house, then why are we still going back to the
house at all? Why not have them rampage all over Tokyo? Or follow
Karen (Sarah Michelle-Gellar) home to America?
This film did give me the creeps with
at least one visual. A girl slowly drinks milk straight from the
carton, then throws it up right back into the carton, then begins
drinking again. I imagine this was a metaphor for the karmic cycle
of the haunting. I don't deny that the movie has had thought put
into it, it's just not thought that I especially care about.
In this film Aubrey (Arielle Kebbel),
Karen's sister, is told by their bedridden mother (Joanna Cassidy)
that she must go to Japan to retriever her now-insane sister. I
suspect Gellar didn't want to be in this film, because her screen
time is fairly minimal, and she kills herself fairly early in the
movie. Instead, Aubrey teams up with a journalist name Eason (Edison
Chen).
I felt like the attempts to expand the
story in this film seemed fairly ineffective. We discover that
Kayako (Takako Fuji) was trained by her mother (Ohga Tanaka) as an
exorcist. Apparently this has something to do with why she and her
family became ghosts, because dying in a horrible way wasn't
sufficiently terrifying enough.
This is shown in parallel to the story
of Allison (Ariell Kimble), a Japanese school girl who enters the
house on a dare, and what happens to her and the bullies who entered
with her. While Allison might learn far less, I'd say most of the
actual scares come from her story. A series of creepy things happen
because she's under attack by ghosts.
...oh, and pretty much everyone
dies...duh...
As with the last movie, I feel like
this movie tries far too hard to be subtle. Some extended scares
would have gone a long way. As it is, it's probably marginally
better than the first Grudge,
but only marginally.
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