Chocolate
is directed by show-runner Mick Garris, the guy behind most of the
Stephen King mini-series. If you told me that this was written by
Stephen King, I wouldn't be surprised, but Garris himself is credited
as the sole writer here. Presumably, he learned a thing or two from
King.
The episode is told
in flashback by a man named Jamie (Henry Thomas), who just committed
a murder. He's explaining the events leading up to the murder to the
police. I suspect the notion of an unreliable narrator was
intentional here, as the story he tells sounds like something a
stalker would come up with to justify his actions.
Jamie was living an
unfulfilled life, surrounded by fulfillment. In his job he developed
artificial flavors for snack foods, but he was on a diet. He was
also sexually and artistically unfulfilled following his divorce,
while his friend and co-worker Wally (the always magnificent Matt
Frewer) indulged in all the pleasures he could ever want.
Jamie's tedium is
interrupted, though, when he begins empathically experiencing the
life of a female artist named Catherine (Lucie Laurier). It begins
with the simple taste of chocolate in his mouth before the
experiences expand to encompass episodes in which he experiences all
five senses.
I suppose since
none of this is Jamie's intention, we can't really criticize his
morality at experiencing her life without her knowledge. For a time,
at least, this seems beneficial to Jamie. Experiencing her life
drives him to experience his own more fully, and he's able to get
laid and indulge in junk food again without the guilt he experienced
before.
However, these
episodes also become dangerous. He experiences her sight while
driving, and nearly dies because he can't see the road. His ex-wife
and child also walk in on him with another woman in his bedroom
because he's experiencing Catherine's sex with her boyfriend at the
time, and can't intercept them before they enter (why they walk away
from him when he appears to be having a seizure I don't claim to
understand).
Then,
Catherine's boyfriend turns abusive, and Jamie experiences Catherine
murdering him. This incident convinces Jamie that he has to track
her down. As with Jenifer
I find myself uncertain how I should feel about the protagonist at
this point, and I suspect the framing narrative was intended to leave
us questioning that. The fact that Catherine is willing to hear the
full story from a man who shows up unannounced at her apartment, and
uses phrases like “sometimes I'm inside of you,” is just
downright bizarre. She then gives the impression of falling for him
before turning violent, and in his words “makes him” kill her.
I'm not sure what
the episode is trying to say, exactly. Perhaps that jealousy and
desire should drive us to fulfill our own lives, but we should
separate those feelings from the people who we feel them for. Or
maybe it's just a really creepy idea for a scary story. Either
interpretation works.
The best part of
the episode is unquestionably Wally. Frewer creates a beautiful
portrayal of a man determined to enjoy every second of his life. He
eats whatever he wants without gaining weight. He also plays in a
rock band, despite being old enough to know he'll never make it big,
just because it's fun. He's attained complete personal fulfillment
without the need for outside input.
The
idea of empathically experiencing the emotions of others in this way
is kind of creepy. Even if everything we're told is true we can
still see where Catherine would want to stop a complete stranger from
experiencing her life by any means necessary. Overall, though, I'd
say the episode works best if we just assume that Jamie is crazy and
killed Catherine when she rejected him. It leaves some questions
open, like what really happened to her boyfriend, and why he drove so
far to find an object of obsession, but I think these questions play
very well in our imaginations. This episode should be included in
any viewing of Masters of Horror.
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