It's been years
since I've watched Masters of Horror.. I enjoyed the show
greatly back in college, even though I recall the episodes varying
wildly in quality. I remember suspecting that some of the directors
might have felt validated by simply being on the show and
acknowledged as a Master, which could explain the abundance of
talent, but lack of effort, some of the episodes seem to have.
This description
fits Incident On and Off a Mountain Road like a glove. Don
Coscarelli is an awesome director, and every single scene is well
shot and well acted, but there isn't a lot to really set the episode
apart. The set-up is that a woman named Ellen (Bree Turner) is in a
car crash on the titular mountain road, set up by a serial killer
credited as “Moonface” (John DeSantis), who then chases her
around the woods until he captures her and takes her to his killing
room.
Moonface is not an
especially interesting killer. He's a deformed albino, and I'm not
sure if he's incapable of speech, or just not interested in talking.
He also has an overly-elaborate eye-gouging machine to kill his
victims with, which just feels out of place for a killer who lives in
the middle of the woods. He's pure Other, and I really wish they'd
kept him simple. A big, strong, brutish killer would have been
sufficient, especially lacking any backstory.
The episode is
inter cut with flashbacks to Ellen's relationship with her husband
Bruce (Ethan Embry). Bruce was a survivalist who became became
increasingly disturbed over the course of their marriage. However, he
also taught Ellen survival skills that assist her in combating
Moonface. These scenes aren't bad, but they would be better if Ellen
was a more effective protagonist.
Ellen is so
ineffective against Moon Face until the very end of the episode that
she still comes across like every other Final Girl in horror history,
suddenly kicking ass once the story was ready to end. In fact,
Ellen's main success is building a trap that captures another woman
fleeing Moonface (Heather Feeney), and stabbing herself in the arm.
Are we supposed to simply be impressed she was able to build the
traps, even though they backfired? I know I couldn't do it, but I'm
not supposed to be a badass horror protagonist.
The episode also
throws in a twist: Ellen killed Bruce after he raped her, and was on
her way to dispose of his body. She drills his eyes out and
crucifies him, copying the killing style of Moonface to give the
impression that he was another victim. This isn't really much of a
twist, though. It's a story about an abusive husband in a horror
anthology, how else would it end?
The episode's
highlight is Buddy (Angus Scrimm), Moonface's long-term captive, who
has become a gibbering lunatic. It's awesome to see Angus Scrimm
being scary in a role that's the complete opposite of his quiet,
reserved Tall Man. Buddy would actually have been a much more
interesting villain for the episode. He's over-the-top and insane,
with motivations that make no sense. In the conflict between Ellen
and Moonface he seems to somehow be on both sides, helping Ellen to
get free, then calling Moonface to tell him she's loose. My best
guess is he simply wanted to escalate the conflict further. It's a
shame he never gets to be more directly threatening.
The episode isn't
“bad,” but for a series premiere, it's pretty weak. I'm actually
kind of baffled that show runner Mick Garris looked at this episode,
and said “I want this to
be people's first introduction to our show!” As a standalone,
though, I can take it or leave it.
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