Okay, finally a
serious criticism to be leveled at this show: they really should have
used some clear rotation of story-tellers. Perhaps it’s intended
to highlight the personalities of the different characters by
depicting some as more eager than others. However, this is Betty
Ann’s (Raine Pare-Coull) second in a row, and third overall, while
troublemaker Eric (Jacob Tierney) has told one brief fragment, and
gets his first actual episode next week. It seems a bit unbalanced.
That said, however,
I think this is another episode that hits it out of the park, to the
point of being a viable season finale. One again, this story that
affects me more now, as an adult, looking at it as a commentary on
our educational system. While I’m certainly not in the crowd that
cheers on Charter Schools, I do find myself nervous about the idea of
bad information being inserted into our school systems by ideologues.
I also constantly find myself horrified at the realization that much
of the information I was taught as a student was, at best, wildly
oversimplified.
In this story,
that’s exactly what we see. Dean (Matthew MacKay) is a
low-performing student who finds himself fascinated by a brief
lecture given to his class by an archaeologist named Dr. Oliver (Emma
Stevens). I’d say it was absurdly simple, but...no, this is the
kind of watered-down understanding I received. “Many ancient
civilizations believed some variation of x.” Information without
context, designed only to convince school boards that their kids have
been given a smidgen of culture.
In the lecture, Dr.
Oliver tells the story of the ancient sorcerer Goth. She fails to
tell anything about his historical context or the significance of his
life, except that his followers gain good fortune. Just enough to
intrigue a student desperate to feel special. Dean quickly finds
himself meeting with her, and Dr. Oliver tips her obvious hand by
saying she hopes she’s won “another convert.”
We’re told that
Dean has only a single friend, Alix (Staci Smith), and as Dean falls
to the dark side she becomes our viewpoint character. Dean begins
hanging around with a strange group of students, and acting as their
leader. He also somehow mesmerizes a jerk teacher (Jane Gilchrist)
into giving him an A on a blank test. Finally, Alix follows him down
into the school’s basement, and sees him using a staff from Dr.
Oliver’s lecture to speak to the ghostly head of the mysterious
sorcerer (Stephen Hart).
I’d say this
episode has a peculiar way of using it’s short running time to it’s
advantage. Obviously, we don’t have the time to tell Goth’s full
history, nor would most of the viewers particularly care about his
fanciful past. However, in this episode that’s part of the point:
Dean has no idea who Goth is, how he was apparently trapped in
another dimension, or the history of how he became a powerful
sorcerer. Dean has been given just enough information to bring Goth
back into our world, Goth’s apparent goal. He has to combine two
simple ingredients: Belladonna and Mercuric Acid (I suspect the
writers wanted to use a fictional “don’t try this at home kids”
chemical, but according to Google they may have accidentally used a
valid name for mercury mixed with any acid) to create the “mystic
vapors.”
Goth is actually a
perfect cult leader. His promises to Dean are vague (“all you
desire”), and he uses the word “apprentice” to give a sense of
commonality with the child he clearly doesn’t feel. We’re
watching an angry adolescent being used by the first adult to show
interest in him. Sincerity is not required.
The Midnight Society
interruption in this episode is especially annoying because there are
no major mysteries for them to speculate about in the episode.
Instead, Alix gets captured, and they suggest that she’ll be boiled
in the mercuric acid. Not only do Dean and his followers never
attempt this, Dean has already been clear that he wants to convert
Alix, so the suggestion seems silly.
The ending is a bit
too convenient. Goth crosses over, attacks Alix, and Dean shakes off
his control to protect his friend. He warns Alix to use chlorine to
kill the Nightshade, thus forcing Goth back into the other
dimension...he apparently concluded that vapors produced from
belladonna could be stopped by the chemical because it kills
bacteria, and “the leaves were organic...well, to be fair, it seems
like the contrived ending a Middle Schooler trying to wrap up a story
might use. My own head canon: They stopped Goth because chlorine is
a base, and counteracted the acid. It’s not hard to imagine that
was the original intention, and the “killed the leaves” was a way
to dumb the episode down for the kiddies.
The ending revealed
the painfully obvious: Dr. Oliver was a servant of Goth who goes High
School to High School trying to recruit kids because...she can’t
summon Goth herself for some reason. Well, we don’t know the
reason, but it’s beside the point. She’s an authority figure
corrupting young minds.
So, yes, for the
most part it’s a strong episode. As cheesy and over the top as
we’ve come to expect, but still a good time. And, it has some nice
themes behind it.
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