Friday, July 24, 2015

100 Scariest Movie Moments: #97 Cat People

I'm less than impressed with this film. I feel it’s a good idea for a movie, but there comes a point at which a horror film becomes too subtle. Parts of Cat People feels more like a discussion of a horror film the characters saw earlier that evening than an actual horror film in itself.

The basic premise is that a young Serbian immigrant named Irena (Simone Simon) believes that if she falls in love she'll turn into a panther and kill her lover, and she's just gotten married. From there on we establish that animals are afraid of her. She feels an attraction to a panther in the zoo, to whom she feeds a dead bird who died of fright after seeing her. Eventually, Irena’s husband (Kent Smith) falls in love with another woman (Jane Randolph). And he feels torn between his responsibility to take care of his wife, who he believes to be mentally ill, and his desire to be with his new lover.

Having Irena actually go to a psychiatrist is really the kiss of death for this movie. Because while he does serve a role in the film, attempting to seduce her and thus drawing her wrath on himself towards the end in one of the few truly frightening moments, his talks with her frequently serve to make her emotional turmoil too explicit, leaving nothing for the viewer to interpret.

I've heard many people say that this movie is brilliant for its subtlety, making it uncertain if Irena is actually becoming a panther or merely imagining that she is. However, my opinion is that this is total bullshit. Several scenes leave no other interpretation, unless a panther literally just happened to wander into the room and attack someone. Specifically, a panther with a strange fear of crosses.

The movie ends with Irena, having attempted to kill her husband and his lover, allowing herself to be killed by the zoo's panther. The husband says “she never lied to us,” and he and his new lover walk off. Apparently a bit of reflection at the end would be too much to ask in a film that was otherwise obsessed with analyzing itself.

Do I hate this movie? No. But do I find it memorable or interesting? Equally no.

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